Meet Remi · your content producer

Drop your raw footage.
Get a finished video.

Twelve takes, one timelineAny camera, any order, any ratioFiller and silence goneDead takes dropped, dead air closedA-roll and b-roll placedCutaways land on the right words

Remi

Content producer

Here is everything from the gorge day. Make it about ninety seconds, energetic, start with the fall.

12 clips from the gorge day41:12 · mixed

Watched all twelve. Dropped 6 dead takes, cut 34 filler words and closed 2:18 of silence, then built the whole thing around the fall at 03:41.

Assembled · captioned · reframed47 cuts

First cut is 1:32, with nine cutaways from your b-roll already placed. Want it tighter, or shall I leave room to breathe?

Tell Remi what to make…

AssembleClipReframePublish

First cut · gorge-day-raw

41:12 → 1:32 · 47 cuts

34 filler words gone2:18 of silence closedBest take picked per line

Product views on this page use example data.

Twelve takes, four cameras. One clean cut.

Every source gets its own color and its own track, so you can see where each second came from, and every struck-out take stays visible.

Phone takes (12)41:12Second angle11:04B-roll (9 files)12:38Helmet cam2:19Room tone0:28

Five sources, 1:07:41 of raw, watched in full and cut down to 1:32.

Phone✕✕✕✕✕Angle 2✕✕✕✕✕B-roll✕✕✕✕Helmet✕✕✕Tone✕✕✕✕

47 cuts · 39:40 removed · 1:32 remaining

Programtake 9the fallthe toptake 11sign-off

Every scene, fully analyzed.

Before cutting anything, the footage is analyzed frame by frame: what is on screen, what is being said, what is actually happening. That is why the choices feel like choices, not guesses.

SeenWalking the trail in, camera behind themBoth in the pool, looking up at the dropHer hand comes in, he grabs the rope: the momentThe guide checks his harness, nobody movesWider, sitting it out on the rock: a second angle

Heard“right, this is the bit we got warned about”“wait, sorry, from the top”“I have got it, I have got it, go”Nothing said · 6.4s of water noiseSame audio, further from the falls

41:12 watched, not skimmed12 takes compared6,110 words transcribed34 filler words found

What Remi does to your raw footage.

Six passes over the same material, in the order an editor would do them. Pick one to see what changes.

6 of 12 gone

The takes you already knew were bad.

Restarts, a camera left running, the one where nobody was ready. Remi reads every take end to end and quietly leaves them out, so you never scrub through them again.

1:04Take 1 restart4:09Take 2 phone down0:38Take 3 lost it2:51Take 4 clean0:47Take 5 duplicate

RestartsUnusable audioDuplicates

Take 5 was the same line as take 9, only quieter. I kept 9 and left 5 in the bin, not in the cut.

34 cuts, none audible

Every um, so, and, sorry, again.

The cut lands on the frame either side of the filler, and the join sits mid-breath, which is why it sounds like you simply said it better than you did.

cut“so, um”keptclean linecut“sorry, again”keptclean linecut“you know”

Frame-accurateBreath keptNo pops

You said “um” thirty-four times in eleven minutes. None of them are in the cut, and none of the joins are audible.

2:18 recovered

The dead air between the good bits.

Thinking pauses, waiting for a shot to settle, the gap before you remember the next line. Remi closes them to the length a viewer will sit through, not the length you took.

03:556.4s of nothingafterclosed to 0.4s07:12waitingafterclosedkeptholds

Room tone kept200ms breathsEven pacing

Two minutes eighteen of nothing said or shown. Closed, but not squeezed. It still breathes where it should.

4 versions, 1 kept

The version where you meant it.

When you said the same line four ways, Remi compares delivery, energy and framing rather than picking the last one, and tells you why the winner won.

skipTake 2 flataltTake 4 cleanskipTake 6 rushedusedTake 9 keptskipTake 11 tired

DeliveryEnergyFraming

Take 4 was cleaner, take 9 was more convincing. I went with convincing, and left the clean one as an alt.

Direct it in a sentence.

You are not dragging a playhead around. You say the length, the feel and where to start, Remi cuts to that, then re-cuts when you change your mind.

How long

What vibe

Where it starts

What shape

The brief Remi is working to

Make it about a minute, fast and loud, opening on the payoff, and give it to me vertical.

0:58Runtime

47Cuts

1.2sAvg shot

Vertical reframing

Your video, reframed shot by shot.

Every shot analyzed and reframed based on the content, so the video looks like it was shot vertical, without losing important context.

Tracks action, speakers, text and objects and decides what’s most important to follow.
Avoids awkward cuts, so the viewer always sees what is intended to be seen.

Source · 16:9

Caption styles

Captions that match your video

The perfect captions to keep viewer attention, word by word, in over 400 styles, all editable. Misheard words are easy to correct through our advanced transcript editor.

Publish & distribute

One click publishing to your social accounts.

Every title, caption and hashtag is written and optimized for the platform it lands in, in your voice.

Ready

6:20

The waterfall nearly ended the trip.

Greg & Ashlee · new upload

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Ready

LikeCommentShare

Greg & Ashlee

he could not get off the rope 😳

Shorts

Ready

LikeReplySend

@gregandashlee

the moment it all went wrong 😳 #japan #canyoning

original sound · Greg & Ashlee

Ready

gregandashlee•••

gregandashlee the gorge nearly beat us ✂️ #japan #adventure

Ready

Greg & Ashlee

now ·

New one’s up 👇 the full Japan trip video.

6:20

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Not X. Everywhere else, automatically.

Post it from here

Titles, descriptions and captions written for each feed, scheduled or pushed live in one action.

YouTube & ShortsTikTokInstagramFacebookScheduling

Or take the edit with you

Want to polish it further yourself? Export the finished video and take it wherever you work.

YouTubeYouTube ShortsTikTokInstagramFacebook

Next, Remi stops needing footage.

Everything above is live today. This is what lands in the edit next: generated, not just cut.

Coming soon

When the shot you needed does not exist, Remi makes it: b-roll, inserts and establishing shots cut to the length of the gap, graded to match the footage around them.

B-rollInsertsMatched grade